![]() ![]() The quick workaround is to use the easy-to-use yet professional app called Acrok Video Converter Ultimate for Mac which can be used as a Apple ProRes Converter under Mac OS. Best 4K Video Converter for Lumix Cameras If you’re facing problems when working with Lumix GH5/GH5 II/GH6 video in Final Cut Pro, follow this article to transcode H.265 video to Apple ProRes codec, which ensures the best results when working with Final Cut Pro X. Not to say it still goes with longtime rendering when you import Lumix GH5, Lumix GH5 II and Lumix GH6 videos to Final Cut Pro.įortunately, there is an easy way to fix the issue. How can we import and edit 4K MOV and MP4 video in FCPX smoothly and without rendering. However, there’s not going to be native support for the DCI 4K (4096 x 2160) at 200 Mb/s videos in most NLEs, even if Final Cut Pro X. Panasonic really has a couple of really great 4k cameras available for some time now. So what’s the available workflow for Panasonic Lumix GH5 / GH5 II / GH6 and Final Cut Pro X? However, if you want to import the 4K footage from Lumix GH5, Lumix GH5 II or Lumix GH6 to Final Cut Pro X for editing, you may find the high quality 4K videos are not recognized by your editing software. The new GH6 providing 4:2:2 10-bit DCI 4K/60p recording capability, this camera achieves unlimited video recording when the camera is used under the certified operating temperature. Lumix GH6 is absolutely the flagship of the LUMIX G Series and the latest model of the GH line, which is renowned for its stunning mobility and innovative video performance. The camera records DCI and UHD 4K with the full sensor area and can output 10-bit 4:2:0 internally up to 60p, or 4:2:2 at 30p.Īfter establishing the LUMIX brand in 2001, Panasonic introduced the world’s first digital single lens mirrorless camera in 2008. And now the Panasonic Lumix GH5 II provides a professional-quality imaging platform for shooters who demand versatile video and stills capabilities in a single compact camera. ![]() Overall we are expecting the image to be most exciting from the Panasonic Lumix GH5. It can record videos in your choice of MOV, MP4 or AVCHD. The Lumix GH5 looks to take the best of the GH4 and package it into a more approachable camera. In the LUMIX GH5, the conventional '4K PHOTO' function is dramatically advanced to form '6K PHOTO' which lets the user cut a still image out of ultra high-quality 18-megapixel video with approx. Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.The Panasonic Lumix DMC GH5 has already been lauded for being an incredible value, earning Videomaker’s Editor’s Choice award. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. ![]() EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. ![]()
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